Criticism

close up of quilt

Of Possible Impossibilities

I feel a little bit like cheating writing this after reading Ian’s recent post on The Bronze Bow, but I, too, had an interesting discussion in my literature classes recently while trying to decide on where to place the climax of a story. I’ve been slowly teaching my students the elements of fiction, and chose The Quiltmaker’s Gift by Jeff Brumbeau in order to talk about characters. The Quiltmaker’s Gift is a picture book about two people. The first is a powerful, greedy, unhappy king who fills his castle with gifts that he constantly demands from his subjects. The second is a wise, old, magical quiltmaker who lives in a house on a mountain in the clouds and gives away her quilts to the poor and needy. She won’t sell them, not for any amount of money…

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desert path

Foreshadowing and the Judgment of Christ in “The Bronze Bow”

The climactic moment of the children’s classic, The Bronze Bow, is a simple smile. As I was preparing to teach this work to a room full of eager Junior High students, I was refreshed by Elizabeth George Speare’s elegant style and careful attention to detail. Master that she was, she brought her novel to a perfect crescendo, using all her considerable literary tools to highlight one shining moment of turning: the climax…

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illlustration of Mr. Toad speeding down the road in a car

Me and Mr. Toad

I recently began re-reading The Wind in the Willows for the umpteenth time, and, as classic novels are wont to do, it communicated to me in an entirely different way than it has before. I’ve been struck over the years by a lot of wonderful things in this little book, from Mole’s once-earned-never-lost loyalty, to Rat’s effortless hospitality, and Badger’s deep and abiding self-confidence. But one thing I hadn’t realized until now is that Mr. Toad and I are remarkably similar…

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black and white skyline of Paris with Eiffel Tower

Teaching the Past with Woody Allen

Woody Allen’s 2011 movie Midnight in Paris has it all: a star-studded cast, fantastic music, beautiful settings, and great camerawork. However, its greatest feature is the story itself. The protagonist is aspiring writer Gil Pender, who stumbles into a magic vortex that allows him to travel back to 1920s Paris, a place and time that he considers the high point of Western culture…

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tractor tracks down a wheat field

Anna Karenina and the Givenness of Life

I was in a serious slump this February, drowning in a sea of unaccomplished tasks all loudly condemning my laziness and inefficiency. I felt incapable of stirring up my own enthusiasm for life to get my head above water, no matter how well I organized my planner or how early I set my alarm. But now it’s March, and things are looking up! My long and daunting to-do list is finally beginning to shrink. I’m not saying this to brag. On the contrary, I’m entirely clueless as to how I emerged from my unproductive hibernation…

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decayed window in old brick building

“God forgive us:” The Cloud of Broken Witnesses

In his thrilling novella, Dr. Jekyll and Mr. Hyde, Robert Louis Stevenson paints the inescapable tension between good and evil in the human spirit. Frankly, that by itself is a pretty good summary of his theme. But, there is more to be said about what he implies concerning human desires and the remedies we can find for them. He doesn’t leave us entirely in the dark when it comes to where salvation lies…

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man in suit fixing tie

Great Expectations of the Soul

The first chapter of Charles Dickens’s classic, Great Expectations, deserves its reputation as one of the great openers in literature. The tiny orphan Pip stands at the graveside of his parents, quietly mourning his lonely estate. Suddenly, a fearsome convict, lately escaped from a nearby prison ship, accosts him from the surrounding mists and demands food on pain of death. Pip’s terror in this moment is every bit as palpable as was his grief a moment before. He hurries back to the smithy where he makes his home and, oppressed by unspeakable terror and guilt, steals food from his sister and her mild-mannered husband, Joe Gargery. I have always thought it remarkable how completely Pip earns our pity in these first scenes…

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shadow of man over prison bars

A Reason for the Pain: Dostoevsky’s Answer to the Problem of Pain in “The Brothers Karamazov”

“In sorrow, seek happiness.” So says Father Zossima in The Brothers Karamazov, Russian novelist Fyodor Dostoevsky’s literary homage to the problem of pain and suffering. A murder mystery extraordinaire, this novel traces the history of one Ivan Karamazov, eldest brother of the Karamazovs and an intellectual humanist. Frustrated by the problem of evil and its implications regarding the nature of God and His posture toward man, Ivan conceives of atheism as a kind of work around…

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snowy forest

The In-Between

I’ve been reading a lot of children’s literature recently, due to my role as the Elementary teacher here at CenterForLit. We just finished reading C.S. Lewis’s The Lion, the Witch, and the Wardrobe and I was struck by the youngest brother, Edmund’s, character development. Not a baby any longer to be coddled by his mother or sister, but not yet mature enough to claim a leader’s role like Peter, Edmund is half-baked, sullen, and in-process. When he first comes to Narnia, he falls in with a dangerous crowd. Immature and lustful for recognition and power, he pledges his loyalty to the White Witch and betrays his family to secure his ambition, all within the first few chapters of the story. Not a stellar beginning, you might say. Sheepishly, I will admit that he’s the character with whom I identify the most…

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